CfE 49 - Surveillance Art and the Politics of Visibility: Critical Practices in the Age of Algorithmic Governance
Call for Essays for the thematic section of Cinéma & Cie no. 49, edited by Laura Cesaro, Deborah Toschi, and Bernadette Wegenstein.
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Scheduled maintenance from from Monday, September 14 to Friday, September 18. The site will be available in read-only mode. Submission of proposals and the editorial workflow will be suspended during this period.
Edited by Luca Barra, Alice Jacquelin and Federico Pagello
TV screens across Europe are more and more filled with detectives, investigators, police(wo)men coming from abroad. After a long-lasting prominence of US figures, the last decades have offered an increasing visibility to characters coming from the UK, the Nordic regions of Scandinavia, the major continental markets as France, Germany, Spain and Italy, the Mediterranean regions, the Eastern and Central European countries, and so on. European crime narratives are complex objects: national, and global, and often glocal. Their popularity and circulation in European markets brings cultural diversity and puts audiences in touch with other not-so-far yet distinct cultures, while also – sometimes – laying ground for the development of a truly transnational, cross-European, shared popular culture. The special issue of Cinéma & Cie presents some results of the research carried out by Horizon 2020 project DETECt – Detecting Transcultural Identity in Contemporary Popular Crime Narratives, and includes a wide range of case histories, theoretical approaches, methodological frameworks.
Call for Essays for the thematic section of Cinéma & Cie no. 49, edited by Laura Cesaro, Deborah Toschi, and Bernadette Wegenstein.
Call for Essays for the thematic section of Cinéma & Cie no. 48, edited by Gloria Dagnino and Adrien Valgalier.
Call for Essays for the thematic section of Cinéma & Cie no. 47, edited by Luana Fedele, Dom Holdaway and Thomas J. J. Scherer.
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Cinéma & Cie. Film and Media Studies Journal
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